Morgan Stanley
With over seven years of high-end retouching under my belt, I bring a meticulous eye and seasoned hands to every architectural project. From towering skyscrapers to intimate residential spaces, my retouching enhances every angle and elevation, focusing on flawless color correction, seamless compositing, and nuanced light adjustments.
In my work, each image goes beyond the basics. I focus on creating clarity that doesn’t just meet industry standards but elevates them. I’ve worked on everything from award-winning designs for iconic firms to cozy interiors that deserve their own magazine spreads. My toolkit isn’t just software – it’s the honed skills of balancing color, perfecting reflections, and finessing every last detail to create visuals that sell the story of each structure.
Fueled by a deep-rooted passion for architecture, I bring an understanding of the subtle language of lines and light, spaces and structure. My clients know me for my thorough approach, from developing a unique workflow that works best for your needs to meticulously fine-tuning every detail until the final image is nothing short of perfect. And while I’m serious about the quality of my work, I bring a bit of wit and warmth to each collaboration. After all, I believe retouching should be both art and craft, bringing out the best in every building without losing its essence.
Looking for an architectural retoucher with experience, precision, and an eye for artistry? Let’s make your work stand out in all the right ways.
Wills Tower
Why I Love Architectural Retouching: The Art, the People, and the Details That Make All the Difference
Architectural retouching? Isn’t that just moving a few pixels here and there, you ask? If only! This line of work, especially with architecture, is a world of its own—one that I’ve come to love in all its shapes and nuances. Here’s what makes it rewarding (and a little addicting), told through the lens of someone who really just loves design, the collaborative process, and everything that happens between the camera click and that final “wow” moment.
Design-Obsessed? Guilty as Charged
First and foremost, I love design. Always have, and probably always will. There’s something about the geometry, lines, and contrasts in architecture that feels like eye candy—architecture is like design on steroids. Every project has a unique look, tone, and vibe that gives each building its character, and being able to capture that essence in a finished image is like hitting a bullseye. Retouching is where I get to make those design elements really pop—making sure that every shadow, highlight, and line works in harmony. It’s like polishing a diamond; the beauty is there in the rough cut, but I get to add that bit of sparkle to bring it all home.
Collaboration: My Favorite Part of the Job
One of the underrated perks of this job is the amazing photographers and clients I get to work with. A photographer might bring out details I’d never noticed, while a client might share a whole backstory on the building’s history or the vibe they want it to give off.  Getting into their mindset and finding ways to elevate their vision is where things get interesting. Together, we’re like an oddly effective band of creatives with one goal: make this building look so good you’d want to move in, or at least take a long, admiring stare.
Plus, working with different photographers and clients keeps me on my toes. Some are particular about certain details, while others just give me creative freedom, saying, “Go wild, do your thing.” Whether I’m subtly tweaking the colors to make a room feel more inviting or cleaning up reflections on skyscraper windows, I love being that final touchpoint, adding a bit of my style to the equation before the images hit the spotlight
Not All Heroes Wear Capes
Architectural retouching is often an unsung hero in the world of photography. As the final step before images reach the public eye, retouching serves as a crucial buffer, ensuring that each photograph reflects the architect’s vision and the client’s expectations. I take pride in being part of this behind-the-scenes process, where every edit and adjustment has an impact. It’s a responsibility I don’t take lightly because I know these images can shape how people perceive the building, the brand, and the design as a whole. My work enhances details, corrects imperfections, and brings out the true essence of each structure, ultimately making the photos as impactful as the buildings themselves.
There’s a satisfaction in that invisible work. Retouching takes the raw, sometimes imperfect captures and shapes them into the best version they can be, bringing out the building’s personality. It’s satisfying knowing my work adds real value—showcasing spaces the way they were meant to be seen and making an impact from behind the curtain.
Every Project Feels Like Opening a Present
When I first sit down to look at RAW images, it’s like opening a present. There’s a mix of excitement and curiosity—wondering what surprises await and how I’ll bring them to life. Each project has its own quirks, its own set of challenges, and often a twist that requires me to think outside the box. I never know what I’ll encounter: tricky reflections, challenging lighting, or the need to strike a balance between natural and polished.
There’s a fun unpredictability in retouching architecture—no two projects are ever exactly alike. Some require ultra-precise color correction to get that perfect shade, while others need meticulous cloning to clean up construction artifacts or even entire structures in the background. Every project feels fresh, and each RAW file a new puzzle to solve. No two days are ever the same.
Why I Keep Coming Back for More
So yeah, I could go on and on, but at the heart of it, architectural retouching is my creative playground. It’s the marriage of design love, human collaboration, and the technical finesse that keeps it challenging. It’s a bit quirky, a bit under the radar, but it brings all my favorite things together in one place.
If you’re a fellow retoucher, a designer, or just someone curious about what goes on behind that perfectly polished photo you see in magazines or online portfolios, I hope this gives you a peek into the world of architectural retouching. It’s detailed, it’s unique, and, for those of us lucky enough to be in it, it’s a pretty incredible way to spend the day.
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